A BUNCH OF NOISE 2026

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33EMYBW (CN)

33EMYBW是现居上海的制作人。她流淌于迷离世界与科幻媒介的罅隙,从远古梦境与民族记忆中挖掘生物神话,受现代舞音乐、传统音乐和视觉艺术的影响,她的音乐通常被认为是高度个性化的低音律动和错综复杂的节奏的结合。她的最新专辑 Holes of Sinian 是在 SVBKVLT 发行的第三张专辑。首张专辑 Golem(2018)入选 Bandcamp 年度最佳电子专辑之一,第二张专辑 Arthropods(2019)获 RA、FACT 等媒体评选为年度最佳,被 Boomkat 誉为“定义 2019 年的专辑”。33EMYBW 曾在 Aphex Twin 策划的曼彻斯特 Warehouse Project、Unsound(波兰)、Nyege Nyege(乌干达)、CTM(柏林)、Soft Center(悉尼)等音乐节。她的合作项目包括为 Maria Bozinovska-Jones、Joey Holder、陈天灼(Asian Dope Boys)及诗人 Forrest Gander 创作音乐,并与 Gooooose 共同为 Weirdcore 在北京的展览 Orient Flux 配乐。她还为 Danny Elfman、Aisha Devi、Senyawa 和 Chui Wan 制作混音,并为 Crack 杂志、Dekmantel、Unsound 和 CTM 录制 live set。

33EMYBW is a Shanghai-based producer whose music blends bass-driven rhythms with intricate patterns, drawing from sci-fi media, ancient dreams, and cultural memory. Her third album, Holes of Sinian, was released on SVBKVLT. Golem (2018) was named one of Bandcamp’s Best Electronic Albums of the Year, while Arthropods (2019) was praised by RA, FACT, and Boomkat as a defining album of 2019. She has performed at Aphex Twin’s Warehouse Project, Unsound, Nyege Nyege, CTM, and Soft Center. Her collaborations include works for Maria Bozinovska-Jones, Joey Holder, Tianzhuo Chen (Asian Dope Boys), and poet Forrest Gander, as well as remixes for Danny Elfman, Aisha Devi, and Senyawa.

BLACK STUMP是由于对视听⼯匠⽳居⼈流浪汉的⽆⽤恐惧⽽产⽣的⽆数妄想之⼀【之前名为 LxVxTx,⽬前以 DRAINAGE的身份表演,是 P.I.G.S.’ butchery 组合的三分之⼀,也是 YUKKO SYNDROME和 ACID MUSHROOM WIZARDSTEMPLE 的成员,是 COWAGE 的歌⼿/采样器,还有⼏⼗个尚未公布的项⽬,这让 Trigger 的名⼈墙⾮常沮丧】。BLACK STUMP在2023年构思,在近⼗年的中断后重新启动。BLACK STUMP结合⽿部和眼部设备,整合⾃我制作的低保真度⺠族志纪录⽚、现场录⾳、未受过教育的⺠族⾳乐学、有毒废物图腾主义和边缘摄影,以及⽤各种从未学会演奏的少数⺠族乐器演奏的孤独⽚段、通过声⾳和记忆痛苦的遗迹捕捉的⽿部录⾳幻景,以探索⾃我狂喜和破裂之间的鸿沟,以及所有居住其中的阴郁⽆技巧的幽灵。在此次⼀把噪⾳中,BLACK STUMP将融合实验⺠谣和仪式环境噪⾳,使⽤从尼泊尔东部、中国和菲律宾收集的⺠族乐器、磁带和现场录⾳。

 

BLACK STUMP is the umpteenth delusional vanity spawned by fear of audiovisual artisan caveman hobo ⽆⽤ [previously known as LxVxTx, currently performing as DRAINAGE, one third of P.I.G.S.’ butchery ensemble, half YUKKO SYNDROME and ACID MUSHROOM WIZARDS TEMPLE, singer/ sampler of COWAGE, and a couple dozen more yet to be unveiled projects, to much dismay of Trigger’s wall of fame]. Conceived in 2023 after nearly a decade-long hiatus, BLACK STUMP works with both the otic and ocular apparatuses to integrate self produced low fidelity ethnographic documentary, field recordings, uneducated ethnomusicology, toxic waste totemism and fringe photography, forlorn fragments of folk frolicking performed with various ethnic instruments, auricular audio cassette fantasmagoria captured through the vestiges of phonic and mnemonic pain. For ABON, BLACK STUMP will perform an amalgamation of experimental folk and ritual ambient-noise on ethnic instruments retrieved from eastern Nepal, China and the Philippines, tapes and field recordings.